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簡要說明排比和層遞的異同。

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正確答案:

層遞和排比往往都由三項以上構(gòu)成,各句之間往往都有共同的詞語,兩種修辭方式十分相似。但它們還是有區(qū)別的。其區(qū)別主要表現(xiàn)在

1、二者的表達內(nèi)容不同

層遞敘述或者說明的各項事物,在內(nèi)容的排列上時逐層遞升或遞降的,各項內(nèi)容具有層級性,呈縱式階梯關(guān)系;而排比所敘述或說明的各項則是相關(guān)相似的幾個事物或同一事物的幾個方面,它們之間是橫式并列關(guān)系,沒有明顯的層級性。

2、形式不同

層遞不要求結(jié)構(gòu)形式的相同或相似,也不必一定使用提挈語;而排比的結(jié)構(gòu)必須相同或相似,不相似的要用提挈語串聯(lián)起來。

3、修辭作用不同

層遞的作用是使語言產(chǎn)生層級美,增強語句的深刻性;而排比的作用在于增強語勢,加強節(jié)奏感,提高語言表達能力。

4、著重點不同

層遞著重于內(nèi)容意義關(guān)系的特點,而排比著重于結(jié)構(gòu)形式的特點

答案解析:

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Selling Digital Music without Copy-protection Makes Sense A. It was uncharacteristically low-key for the industry’s greatest showman. But the essay published this week by Steve Jobs, the boss of Apple, on his firm’s website under the unassuming title “Thoughts on Music” has nonetheless provoked a vigorous debate about the future of digital music, which Apple dominates with its iPod music-player and iTunes music-store. At issue is “digital rights management” (DRM)—the technology guarding downloaded music against theft. Since there is no common standard for DRM, it also has the side-effect that songs purchased for one type of music-player may not work on another. Apple’s DRM system, called FairPlay, is the most widespread. So it came as a surprise when Mr. Jobs called for DRM for digital music to be abolished. B. This is a change of tack for Apple. It has come under fire from European regulators who claim that its refusal to license FairPlay to other firms has “l(fā)ocked in” customers. Since music from the iTunes store cannot be played on non-iPod music-players (at least not without a lot of fiddling), any iTunes buyer will be deterred from switching to a device made by a rival firm, such as Sony or Microsoft. When French lawmakers drafted a bill last year compelling Apple to open up FairPlay to rivals, the company warned of “state-sponsored piracy”. Only DRM, it implied, could keep the pirates at bay. C. This week Mr. Jobs gave another explanation for his former defence of DRM: the record companies made him do it. They would make their music available to the iTunes store only if Apple agreed to protect it using DRM. They can still withdraw their catalogues if the DRM system is compromised. Apple cannot license FairPlay to others, says Mr Jobs, because it would depend on them to produce security fixes promptly. All DRM does is restrict consumer choice and provide a barrier to entry, says Mr Jobs; without it there would be far more stores and players, and far more innovation. So, he suggests, why not do away with DRM and sell music unprotected? “This is clearly the best alternative for consumers,” he declares, “and Apple would embrace it in a heartbeat.” D. Why the sudden change of heart? Mr Jobs seems chiefly concerned with getting Europe’s regulators off his back. Rather than complaining to Apple about its use of DRM, he suggests, “those unhappy with the current situation should redirect their energies towards persuading the music companies to sell their music DRM-free.” Two and a half of the four big record companies, he helpfully points out, are European-owned. Mr Jobs also hopes to paint himself as a consumer champion. Apple resents accusations that it has become the Microsoft of digital music. E. Apple can afford to embrace open competition in music players and online stores. Consumers would gravitate to the best player and the best store, and at the moment that still means Apple’s. Mr Jobs is evidently unfazed by rivals to the iPod. Since only 3% of the music in a typical iTunes library is protected, most of it can already be used on other players today, he notes. (And even the protected tracks can be burned onto a CD and then re-ripped.) So Apple’s dominance evidently depends far more on branding and ease of use than DRM-related “l(fā)ock in”. F. The music giants are trying DRM-free downloads. Lots of smaller labels already sell music that way. Having seen which way the wind is blowing, Mr Jobs now wants to be seen not as DRM’s defender, but as a consumer champion who helped in its downfall. Wouldn’t it lead to a surge in piracy? No, because most music is still sold unprotected on CDs, people wishing to steal music already can do so. Indeed, scrapping DRM would probably increase online-music sales by reducing confusion and incompatibility. With the leading online store, Apple would benefit most. Mr Jobs’s argument, in short, is transparently self-serving. It also happens to be right. Notes to Reading Passage 1 1. low-key: 抑制的,受約束的,屈服的 2. showman: 開展覽會的人, 出風(fēng)頭的人物 3. unassuming: 謙遜的, 不夸耀的, 不裝腔作勢的 4. iPod: (蘋果公司出產(chǎn)的)音樂播放器 5. iTunes store: (蘋果公司出產(chǎn)的)在線音樂商店 6. get off person’s back: 不再找某人的麻煩,擺脫某人的糾纏 7. gravitate: 受吸引,傾向于 8. unfazed: 不再擔(dān)憂,不被打擾 Questions 1-7 Do the following statemets reflect the claims of the writer in Reading Passage 1? Write your answer in Boxes 1-7 on your answer sheet. TRUE if the statement reflets the claims of the writer FALSE if the statement contradicts the claims of the writer NOT GIVEN if it is impossbile to say what the writer thinks about this 1. Apple enjoys a controlling position in digital music market with its iPod music-player and iTunes music-store. 2. DRM is a government decree issued with a purpose to protect downloaded music from theft by consumers. 3. 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DRM hinders development of more stores and players and technical innovation. 9. The word “unfazed” in line 3 of paragraph E, means___________. A. refused B. welcomed C. not bothered D. not well received 10. Which of the following statements is TRUE if DRM was scapped? A. Sony would gain the most profit. B. More customers would be “l(fā)ocked in”. C. A sudden increase in piracy would occur. D. Online-music sales would probably decrease. Questions 11-14 Complete the notes below. Choose NO MORE THAN THREE WORDS from Reading Passage 1 for each answer. Write your answers in boxes 11-14 on your answer sheet. Mr. Steve Jobs, the boss of Apple, explains the reason why he used to defend DRM, saying that the company was forced to do so: the record companies would make their music accessible to …11...only if they agreed to protect it using DRM; they can still…12…if the DRM system is compromised. 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