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Roger Rosenblatt ’s book Black Fiction,in attemptingto apply
literaryratherthansociopolitical criteria to its subject, successfully alters
the approach taken by mostprevious studies. As Rosenblatt notes, criticism of
Black writing has often served as apretextfor expounding on Black
history.Addison Gayle’s recent work, for example, judgesthe value of Black
fiction by overtly political standards, rating each work according tothe notions
of Black identity which it propounds.Although fictionassuredly springs from
politicalcircumstances ，its authors react tothose circumstances in ways other
than ideological, and talking about novels and storiesprimarilyas instrumentsof
ideologycircumvents much of the fictional enterprise.Rosenblatt ’s
literaryanalysisdisclosesaffinitiesand connections among works of Blackfiction
which solely political studies have overlooked or ignored. Writing acceptable
criticism ofBlack fiction, however, presupposes giving satisfactory answers to a
number of questions.First of all, is there a sufficient reason, other than the
facial identity of the authors, to group together works by Black authorsSecond,
how does Black fiction make itself distinct from other modern fiction with which
it islargely contemporaneous Rosenblatt shows that Black fiction constitutes a
distinct bodyof writingthat has an identifiable， coherent
literarytradition.Looking at novels writtenby Black over the last eighty years,
he discovers recurringconcerns and designs independentof chronology. These
structures are thematic, and they spring, not surprisingly, from thecentralfact
that the Black charactersin these novels exist in a predominantlywhite
culture,whether they try to conform to that culture or rebel against it.Black
Fictiondoes leave some aestheticquestions open. Rosenblatt ’s thematic
analysispermits considerable objectivity; he even explicitly states that it is
not his intentionto judge the merit of the various works D yet his reluctance
seems misplaced, especiallysince an attempt to appraise might have led to
interesting results. For instance, some ofthe novels appear to be
structurallydiffuse.Is this a defect,or are the authors workingout of, or trying
to forge, a different kind of aesthetic In addition, the style of someBlack
novels, like JeanToomey’s Cane, verges on expressionism or surrealism; does
thistechnique provide a counterpointto the prevalenttheme that portrays the fate
against whichBlack heroes are pitted,a theme usuallyconveyed by more
naturalisticmodes of expressionIn spite of such omissions, what Rosenblatt does
include in his discussion makes foran astute and worthwhile study. Black Fiction
surveys a wide variety of novels, bringingto our attention in the process some
fascinating and little-known works like James WeldonJohnson’s Autobiography of
an Ex-Colored Man. Its argument is tightly constructed, andits forthright, lucid
style exemplifies levelheaded and penetrating criticism.
1. The author of the text is primarily concerned with __________.
[A] Evaluating the soundness of a work of criticism.[B] Comparing various
critical approaches to a subject.
[C] Discussing the limitations of a particular kind of criticism.
[D] Summarizing the major points made in a work of criticism.
2. The author of the text believes that Black Fiction would have been
improved hadRosenblatt __________.
[A] Evaluated more carefully the ideological andhistoricalaspects of Black
fiction.
[B] Attempted to be more objective in his approach to novels and stories by
Blackauthors.
[C] Explorein greaterdetailthe recurrentthematicconcerns of Black
fictionthroughout its history.
[D] Assessed the relative literary merit of the novels he analyzes
thematically.
3.author ’s discussion of Black Fiction can be best described as
__________.
[A] Pedantic and contentious.
[B] Critical but admiring.
[C] Ironic and deprecating.
[D] Argumentative but unfocused.author of the text employs all of the
following in the discussion ofRosenblatt ’s
4.book EXCEPT： __________.
[A] Rhetorical questions.
[B] Specific examples.
[C] Comparison and contrast.
[D] Definition of terms.
5. The author of the text refers to James WeldonJohnson’s Autobiography of
anEx-Colored Man most probably in order to __________.
[A] point out affinitiesbetween Rosenblatt ’s method of thematic analysis and
earliercriticism.
[B] Clarify the point about expressionistic style made earlier in the
passage.
[C] Qualify the assessment ofRosenblatt ’s book made in the first paragraph
of thepassage.
[D] give a specific example of one of the accomplishments ofRosenblatt ’s
work.
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Part III Cloze
Directions: There are twenty blanks in the following passage. For each blank
there are four choices. Choose the one that best fits into the passage and then
marks your answer on the Answer Sheet.
In 1982, Mark Thatcher, the son of Mrs. Thatcher was reported 61 in the
Sahara Desert while competing in the Grand Prix motor race from Paris to Dakar.
This sad news, so 62 , shook the usually calm and unperturbed seasoned
politician 63 her balance. Though she did her best to pretend as if 64 had
happened and made her public appearances as usual, people could not 65 to notice
that she was no longer the old 66 prime minister who always had everything 67
control. 68 she had become a very sad mother who was unable to recover from her
shock.
One day, when she was to speak at a luncheon party, a reporter caught her 69
her guard by 70 up the subject of her missing son again. She was totally
mentally 71 for the question and lost her self control. Tears were rolling down
her eyes as she sobbingly told the reporter that there 72 still no news of Mark
and that she was very worried about him. She said that all the countries 73 had
promised to do their best to help her find her son. 74 that she broke down
completely and sobbed silently for quite a while. Gradually she 75 down and
started to speak as 76. it was a very moving scene which 77 a new side of Mrs.
Thatcher’s character the public do not usually see, 78 people began to talk
about the Iron Woman’s maternal love, a sentiment that is 79 to all human
kind.
Later Mark returned 80 and sound to his mother’s side, good-humored and all
smiles as usual, as if nothing unusual had ever happened. The Iron Woman,
however, broke down again as was sobbing for the second time.
61. A. missing B. missed C. wanting D. wanted
62. A. expected B. expecting C. unexpected D. unexpecting
63. A. with B. on C. out D. off
64. A. something B. anything C. nothing D. everything
65. A. miss B. fail C. pretend D. expect
66. A. reassured B. self-assured C. assuring D. self-assuring
67. A. for B. beneath C. below D. under
68. A. Instead B. however C. Therefore D. So
69. A. into B. out of C. on D. off
70. A. putting B. bringing C. taking D. giving
71. A. ready B. prepared C. unprepared D. unexpected
72. A. was B. were C. should be D. would be
73. A. concerning B. concerned C. worrying D. worried
74. A. At B. Before C. After D. With
75. A. sat B. broke C. calmed D. became
76. A. planned B. planning C. plans D. a plan
77. A. explained B. exposed C. excluded D. exclaimed
78. A. however B. instead C. so D. but
79. A. universal B. unique C. single D. strange
80. A. safe B. safely C. sight D. hearing
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