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《有聲電影》下列對小說相關內容和藝術特色的分析鑒賞,不正確的一項是

材料一:日前,中國科學院在京召開新聞發布會對外宣布“墨子號”進行科學實驗衛星提前并圓滿實現全部既定科學目標,為我國在未來繼續引領世界量子通過研究奠定了堅實的基礎。通信安全是國家信息安全和人類經濟社會生活的基本需求。千百年來,人們對于通信安全的追求從未停止。然而,基于計算復雜性的傳統加密技術,在原理上存在著被破譯的可能性,隨著數學和計算能力的不斷提升,經典密碼被破譯的可能性與日俱增,中國科學技術大學潘建偉教授說:“通過量子通信可以解決這個問題,把量子物理與信息技術相結合,利用量子調控技術,用一種革命性的方式對信息進行編碼、存儲、傳輸和操縱,從而在確保信息安全,提高運算速度,提升測量精度等方面突破經典信息技術的瓶頸。”量子通信主要研究內容包括量子密匙分發和量子隱形的傳態,量子密匙分發通過量子態的傳輸,使遙遠兩地的用戶可以共享無條件安全的密匙,利用該密匙對信息進行一次一密的嚴格加密,這是目前人類唯一已知的不可竊聽,不可破譯的無條件安全的通信方式。量子通信的另一重要內容量子隱形傳態,是利用量子糾纏特性講物質的未知量子態精確傳送到遙遠地點,而不用傳送物質本身。通過隱形傳輸實現信息傳送。(摘編自吳月輝《墨子號”,搶占量子科技創新制高點》,《人民日報》2017年8月10日)材料二:潘建偉的導師安東·蔡林格說,潘建偉的團隊在量子互聯網的發展方面沖到了領先地位,量子互聯網是由衛星和地面設備構成的能夠在全球范圍分享量子信息的網絡。這將使不可破解的全球加密通信成為可能,同時也使我們可以開展一些新的控制遠距離量子聯系的實驗。目前,潘建偉的團隊計劃發射第二顆衛星,他們還在中國的天宮二號空間站上進行著一項太空量子實驗,潘建偉說,未來五年“還會取得很多精彩的成果,一個新的時代已經到來”。潘建偉是一個有著無窮熱情的樂觀主義者,他低調地表達了自己的信心,稱中國政府將會支持下一個宏偉計劃——一項投資20億美元的量子通信、量子計量和量子計劃的五年計劃,與此形成對照的是歐洲2016年宣布的旗艦項目,投資額為12億美元。(摘編自伊麗莎白·吉布尼《一位把量子通信帶到太空又帶回地球的物理學家》、《自然》2017年12月)材料三:日本《讀賣新聞》5月2日報道:中國實驗設施瞄準一流(記者:蒔田一彥、船越翔)在中國南部廣東省東莞市郊外的丘陵地帶,中國剛才剛建成了大型實驗設施,“中國散裂中子源”,該實驗設施建設費用達到23億元人民幣,3月正式投入運行。中國是繼美國、英國、日本之后第四個擁有同樣設施的國家。日本的J-PARC加速器設施中心主任齊藤直人說:“雖然日本在技術和經驗上領先,但中國發展得實在太快,亞洲的中心正在從日本向中國轉移。”中國推進的這類大型工程還有很多。3月,中國人民政治協商會議開幕。政協委員潘建偉被媒體記者團團圍住。潘建偉是利用2016年發射的“墨子號”人造衛星進行量子通信研究的研究團隊負責人,其團隊2017年以后相繼發布了多項世界首創的實驗成果。潘建偉今年當選美國《時代》雜志“全球百大最具影響力人物”。使用人造衛星的實驗要耗費巨額資金,歐洲和日本還在猶豫不決、日本的研究人員還在猶豫不決,日本的研究人員認為,“在基礎科學領域,中國正在踏入他國難以涉足的領域,領先世界”。(摘編自《參考消息》2018年5月7日)以上三則材料中,《人民日報》《自然》《讀賣新聞》報道的側重點有什么不同?為什么?請結合材料簡要分析。

子由使契丹.蘇軾

云海相望寄此身,那因遠適更沾巾。

不辭驛騎凌風雪,要使天驕識鳳麟。

沙漠回看清禁月①,湖山應夢武林春②。

單于若問君家世,莫道中朝第一人③。

[注]①清禁:皇宮。蘇轍時任翰林學士,常出入宮禁。②武林:杭州的別稱。蘇軾時知杭州。③唐代李揆被皇帝譽為“門地、人物、文學皆當世第一”。后來入吐蕃會盟,酋長問他:“聞唐有第一人李揆,公是否?”李揆怕被扣留,騙他說:“彼李揆,安肯來邪?

本詩尾聯用了唐代李揆的典故,以下對此進行的賞析不正確的兩項是()

魯芝字世英,扶風郿人也。世有名德,為西州豪族。父為郭汜所害,芝襁褓流離,年十七,乃移居雍,耽思墳籍..。郡舉上計吏,州辟別駕。魏車騎將軍郭淮為雍州刺史,深敬重之。舉孝廉,除郎中。后拜騎都尉、參軍事、行安南太守,遷尚書郎。曹真出督關右,又參大司馬軍事。真薨,宣帝代焉,乃引芝參驃騎軍事,轉天水太守。郡鄰于蜀,數被侵掠,戶口減削,寇盜充斥,芝傾心鎮衛,更造城市,數年間舊境悉復。遷廣平太守。天水夷夏慕德,老幼赴闕..獻書,乞留芝。魏明帝許焉。曹爽輔政,引為司馬。芝屢有讜言嘉謀,爽弗能納。及宣帝起兵誅爽,芝率余眾犯門斬關,馳出赴爽,勸爽曰:“公居伊周之位,一旦以罪見黜,雖欲牽黃犬,復可得乎!若挾天子保許昌,杖大威以羽檄征四方兵,孰敢不從!舍此而去,欲就東市,豈不痛哉!”爽懦惑不能用遂委身受戮芝坐爽下獄當死而口不訟直志不茍免宣帝嘉之赦而不誅俄而起為并州刺史諸葛誕以壽春叛,魏帝出征,芝率荊州文武以為先驅。誕平,遷大尚書,掌刑理。武帝踐祚..,轉鎮東將軍,進爵為侯。帝以芝清忠履正,素無居宅,使軍兵為作屋五十間。芝以年及懸車,告老遜位..,章表十余上,于是征為光祿大夫,位特進,給吏卒,門施行馬。羊祜為車騎將軍,乃以位讓芝,曰:“光祿大夫魯芝潔身寡欲,和而不同,服事華發,以禮終始,未蒙此選,臣更越之,何以塞天下之望!”上不從。其為人所重如是。泰始九年卒,年八十四。帝為舉哀,謚曰貞,賜塋田百畝。(節選自《晉書·魯芝傳》)下列對文中加點詞語的相關內容的解說,不正確的一項是

青花瓷發展的黃金時代是明朝永樂、宣德時期,與鄭和下西洋在時間上重合,這不能不使我們思考:航海與瓷器同時達到鼎盛,僅僅是歷史的偶然嗎?從歷史事實來看,鄭和下西洋為青花瓷的迅速崛起提供了歷史契機。近三十年的航海歷程推動了作為商品的青花瓷的大量生產與外銷,不僅促進技術創新,使青花瓷達到瓷器新工藝的頂峰,而且改變了中國瓷器發展的走向,帶來了人們審美觀念的更新。這也就意味著,如果沒有鄭和遠航帶來活躍的對外貿易,青花瓷也許會像在元代一樣,只是中國瓷器的諸多品種之一,而不會成為主流,更不會成為中國瓷器的代表。由此可見,青花瓷崛起是鄭和航海時代技術創新與文化交融的碩果,中外交往的繁盛在推動文明大交融的同時,也推動了生產技術與文化藝術的創新發展。

作為中外文明交融的結晶,青花瓷真正成為中國瓷器的主流,則是因為成化年間原料本土化帶來了民窯青花瓷的崛起。民窯遍地開花,進入商業化模式之后,幾乎形成了青花瓷一統天下的局面。一種海外流行的時尚由此成為中國本土的時尚,中國傳統的人物、花鳥、山水,與外來的伊斯蘭風格融為一體,青花瓷成為中國瓷器的代表,進而走向世界,最終萬里同風,成為世界時尚。

一般來說,一個時代有一個時代的文化,而時尚興盛則是社會快速變化的標志。因此,瓷器的演變之所以引人注目,還在于它與中國傳統社會從單一向多元社會的轉型同步。瓷器的演變與社會變遷有著千絲萬縷的聯系,這使我們對明代有了新的思考和認識。如果說以往人們所了解的明初是一個復興傳統的時代,其文化特征是回歸傳統,明初往往被認為是保守的,那么青花瓷的例子,則可以使人們對明初文化的兼容性有一個新的認識。事實上,與明代中外文明的交流高峰密切相關,明代中國正是通過與海外交流而走向開放和進步的,青花瓷的兩次外銷高峰就反映了這一點。第一次在亞非掀起了中國風,第二次則興起了歐美的中國風。可見,明代不僅是中國陶瓷史上的一個重大轉折時期,也是中國傳統社會的重要轉型時期。正是中外文明的交融,成功推動了中國瓷器從單色走向多彩的轉型,青花瓷以獨特方式昭示了明代文化的演變過程,成為中國傳統社會從單一走向多元的例證。(摘編自萬明《明代青花瓷崛起的軌跡》)

下列關于原文內容的理解和分析,正確的一項是()

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Selling Digital Music without Copy-protection Makes Sense A. It was uncharacteristically low-key for the industry’s greatest showman. But the essay published this week by Steve Jobs, the boss of Apple, on his firm’s website under the unassuming title “Thoughts on Music” has nonetheless provoked a vigorous debate about the future of digital music, which Apple dominates with its iPod music-player and iTunes music-store. At issue is “digital rights management” (DRM)—the technology guarding downloaded music against theft. Since there is no common standard for DRM, it also has the side-effect that songs purchased for one type of music-player may not work on another. Apple’s DRM system, called FairPlay, is the most widespread. So it came as a surprise when Mr. Jobs called for DRM for digital music to be abolished. B. This is a change of tack for Apple. It has come under fire from European regulators who claim that its refusal to license FairPlay to other firms has “locked in” customers. Since music from the iTunes store cannot be played on non-iPod music-players (at least not without a lot of fiddling), any iTunes buyer will be deterred from switching to a device made by a rival firm, such as Sony or Microsoft. When French lawmakers drafted a bill last year compelling Apple to open up FairPlay to rivals, the company warned of “state-sponsored piracy”. Only DRM, it implied, could keep the pirates at bay. C. This week Mr. Jobs gave another explanation for his former defence of DRM: the record companies made him do it. They would make their music available to the iTunes store only if Apple agreed to protect it using DRM. They can still withdraw their catalogues if the DRM system is compromised. Apple cannot license FairPlay to others, says Mr Jobs, because it would depend on them to produce security fixes promptly. All DRM does is restrict consumer choice and provide a barrier to entry, says Mr Jobs; without it there would be far more stores and players, and far more innovation. So, he suggests, why not do away with DRM and sell music unprotected? “This is clearly the best alternative for consumers,” he declares, “and Apple would embrace it in a heartbeat.” D. Why the sudden change of heart? Mr Jobs seems chiefly concerned with getting Europe’s regulators off his back. Rather than complaining to Apple about its use of DRM, he suggests, “those unhappy with the current situation should redirect their energies towards persuading the music companies to sell their music DRM-free.” Two and a half of the four big record companies, he helpfully points out, are European-owned. Mr Jobs also hopes to paint himself as a consumer champion. Apple resents accusations that it has become the Microsoft of digital music. E. Apple can afford to embrace open competition in music players and online stores. Consumers would gravitate to the best player and the best store, and at the moment that still means Apple’s. Mr Jobs is evidently unfazed by rivals to the iPod. Since only 3% of the music in a typical iTunes library is protected, most of it can already be used on other players today, he notes. (And even the protected tracks can be burned onto a CD and then re-ripped.) So Apple’s dominance evidently depends far more on branding and ease of use than DRM-related “lock in”. F. The music giants are trying DRM-free downloads. Lots of smaller labels already sell music that way. Having seen which way the wind is blowing, Mr Jobs now wants to be seen not as DRM’s defender, but as a consumer champion who helped in its downfall. Wouldn’t it lead to a surge in piracy? No, because most music is still sold unprotected on CDs, people wishing to steal music already can do so. Indeed, scrapping DRM would probably increase online-music sales by reducing confusion and incompatibility. With the leading online store, Apple would benefit most. Mr Jobs’s argument, in short, is transparently self-serving. It also happens to be right. Notes to Reading Passage 1 1. low-key: 抑制的,受約束的,屈服的 2. showman: 開展覽會的人, 出風頭的人物 3. unassuming: 謙遜的, 不夸耀的, 不裝腔作勢的 4. iPod: (蘋果公司出產的)音樂播放器 5. iTunes store: (蘋果公司出產的)在線音樂商店 6. get off person’s back: 不再找某人的麻煩,擺脫某人的糾纏 7. gravitate: 受吸引,傾向于 8. unfazed: 不再擔憂,不被打擾 Questions 1-7 Do the following statemets reflect the claims of the writer in Reading Passage 1? Write your answer in Boxes 1-7 on your answer sheet. TRUE if the statement reflets the claims of the writer FALSE if the statement contradicts the claims of the writer NOT GIVEN if it is impossbile to say what the writer thinks about this 1. Apple enjoys a controlling position in digital music market with its iPod music-player and iTunes music-store. 2. DRM is a government decree issued with a purpose to protect downloaded music from theft by consumers. 3. Lack of standardization in DRM makes songs bought for one kind of music player may not function on another. 4. Apple has been criticized by European regulators since it has refused to grant a license FairPlay to other firms. 5. All music can be easily played on non-iPod music devices from Sony or Microsoft without too much fiddling. 6. Apple depends far more on DRM rather than branding for its dominance of the digital music devices. 7. If DRM was cancelled, Sony would certainly dominate the international digital music market. Questions 8-10 Choose the appropriate letters A-D and write them in boxes 8-10 on your answe sheet. 8. Which of the following statements about Mr. Jobs’ idea of DRM is NOT TRUE? A. DRM places restrictions on consumer’ choice of digital music products available. B. DRM comples iTunes buyers to switch to a device made by Sony or Microsoft. C. DRM constitutes a barrier for potential consumers to enter digital music markets. D. DRM hinders development of more stores and players and technical innovation. 9. The word “unfazed” in line 3 of paragraph E, means___________. A. refused B. welcomed C. not bothered D. not well received 10. Which of the following statements is TRUE if DRM was scapped? A. Sony would gain the most profit. B. More customers would be “locked in”. C. A sudden increase in piracy would occur. D. Online-music sales would probably decrease. Questions 11-14 Complete the notes below. Choose NO MORE THAN THREE WORDS from Reading Passage 1 for each answer. Write your answers in boxes 11-14 on your answer sheet. Mr. Steve Jobs, the boss of Apple, explains the reason why he used to defend DRM, saying that the company was forced to do so: the record companies would make their music accessible to …11...only if they agreed to protect it using DRM; they can still…12…if the DRM system is compromised. He also provides the reason why Apple did not license FairPlay to others: the company relies on them to …13….But now he changes his mind with a possible expectation that Europe’s regulators would not trouble him any more in the future. He proposes that those who are unsatisfactory with the current situation in digital music market should …14… towards persuade the music companies to sell their music DRM-free.
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